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Navigational Transceiver

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We posted a new article in the Tech Section with another background detail showing the technical challenges of surviving on Mars.

Building the navigational transceiver was an excuse for me to toy with some neat equipment, including an embroidery machine and an automated mill.

To make the device’s controller, I started with an Israeli military magazine pouch, something that might be produced on Mars with hemp product. I wrote the text into a computer file, chose the desired stitching technique and number of stitches, and loaded the file into a Brother brand embroidery machine.

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Homer and Half–Life

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Marc Laidlaw, former writer for the Half–Life game franchise, recently posted a thinly veiled plot summary for the Half–Life 2, Episode 3 that never was. In the wake of the Seven Hour War when alien Combine forces conquered Earth, an untested research vessel known as the Borealis sat in dry dock on the Great Lakes. The Borealis was the culmination of human sciences, beginning with the mastery of gravity in HL2, the manipulation of space in Portal, and finally, time. Continue reading Homer and Half–Life

New R.A. Lafferty Website

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Whether you read classic genre fiction, or you’re tired of reading the same old tropes in the more modern stuff, check out this new website at ralafferty.com. There you will find a bio on a wonderfully strange, and strangely obscure author unlike any other. In the news section there is a report from the second annual Lafferty convention held this past weekend in Lawrenceville, New Jersey which, I can attest, was extremely interesting. The site also has a few short stories you can read for free. They’re good. Better than good, they are diverse and weird, starting with well tried concepts like time travel or alien visitations and taking them places you will notcannot expect. Like I said, they’re good. Plus, I helped make the website along with Locus Magazine. Locus is also good. Read that too.

Sad Twirling at the Frankenstein Ballet

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I saw a Frankenstein production put on by the San Francisco Ballet last night. The orchestra was great, the light show was creepy and not at all tacky, and the monster resurrecting machine was a steampunk glory of electric galvanism and flashbulbs bright enough to make me flinch from the nosebleeds. It was neat.

As for the rest of the show, I liked it in the way a moron thinks the colors in a Monet painting are pretty. Call me a Philistine, but I don’t think ballet works as a medium where anything besides delight, longing, or possibly lukewarm sorrow are meant to be conveyed. Effective stories are predicated on the maintenance of emotion. It’s hard to get lost in the moment when Dr. Frankenstein flutters into a scene of grisly murder and suddenly—joyful pirouette. The monster grieves over the body of a child, his first act of cold blooded murder—elegant twirl. The arabesque conveys nothing so much as dizzy happiness, or possibly an omen of impending nausea. It feels at odds with a story about the ostracism of a profoundly sensitive creature, and the twisting of this innocent into a demon who visits his sense of crushing loss on his maker in the ultimate expression of Oedipean father slaying. Poisson pose, spinkick, twirl, twirl, twirl.Continue reading Sad Twirling at the Frankenstein Ballet

Ted Chiang, the Writer Behind Arrival

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Arrival is one of those movies that makes you think Hollywood isn’t so bad after all. Maybe it was a tad cynical to say the movie always mangles the book, that a story made for print should stay in print, and adaptations only deliver a Diet Coke version of the real deal. (Really, what isIMG_20161119_102322 Splenda, anyway?) Then Arrival comes along, slow paced, contemplative, quiet when it needs to be, a lot like the novella on which it was based, and it was great. What do you know, using the source material isn’t so bad after all.

Neither did it a strictly adhere to the story, which worked out fine for the most part. Sure, there was a little unnecessary gunfire, an explosion I could have done without, but it tied things together nicely for a general audience where the novella instead presented open ended questions to a readership that better tolerates cosmic mysteries. That novella is called Story of Your Life, and like most everything Ted Chiang does it is a fine piece of meditative fiction about a person having a single, poignant realization.Continue reading Ted Chiang, the Writer Behind Arrival

Zoo City

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If I can point to any trend in the sprawling supercategory of African speculative fiction, so far as I have broadly surveyed it, black magic is a common thread. Sorcery is characterized as ancient, dangerous, and costly. Lauren Beukes’ novel, Zoo City, has a lot of magic elements dressed up as science, as with the use of the phrase “neural spell” which is supplied without explanation as to what that means. This being an Arthur C. Clarke Award winning book, I’m reminded of Clarke’s saying about the relationship between advanced technology and magic. Without the explanation of how the technology works you might as well call it wizardry, which to me makes this more a work of urban fantasy than anything; that is if we are determined to plaster on labels.

Dispensing with genre, Zoo City is a story about ghettoisation in Johannesburg, thematically like the work of South African director Blomkamp who erected a fence around extraterrestrial immigrants in District 9. In his Elysium film, he trapped the underclass of humanity on Earth within shanty city of Los Angeles, then it was right back to the slums of Johannesburg in Chappie where a toddler of a robot was corralled into a life of crime by chance of upbringing. Zoo City’s Johannesburg forces a similar form of ghettoisation on criminals, this time as a consequence of their past.Continue reading Zoo City

Lagoon

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Nnedi Okorafor has a problem with
District 9. Although the movie is set in South Africa, a country with an 8% white population, the cast is primarily caucasian. A little disappointing for a Nigerian–American who was hoping for more Nollywood and less Hollywood, but it’s the sort of annoyance one might expect from the first high budget African science fiction film (and the second with Blomkamp’s Chappie). Audiences need to be eased into a film with big bipedal bug aliens. Wouldn’t want to startle anyone with some black Bantu actor speaking that clicky Xhosa language of his. Blacks are mostly peppered iLagoonnto the background as part of the uncharacterized sea of humanity, except, of course, for “The Nigerians,” a dusty lot gangsters, prostitutes, and pseudo cannibals. After cringing through an American screening, and perhaps wondering if the fellow sharing her cup holder was drawing unfavorable conclusions from her dreadlocks, Okorafor complained in the best way: she wrote a novel, Lagoon, as a counterpoint. This time aliens land in Nigeria, which, I was astonished to learn, is populated by black Africans.Continue reading Lagoon

Short Fiction Magazines

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Short fiction magazines are candy. I always feel guilty reading them, like I should be on a more substantial diet of full length novels. I still haven’t read Faulkner—and I’m about tired of people clucking their tongues about it by the way. Even so, I can help myself from bringing issues of Analog home by the sackful. I’m telling you, it’s candy.IMG_20151121_131710 No, not quite. Candy is all sugar rush and empty calories. These magazines are more than that. There’s a sense of daring that I rarely find in novel form. Books are a big investment for an author, a money maker and the product of a years long production cycle. It’s hard to take a risk on a project that one’s reputation might hinge on. But a short story—who cares? Go nuts. Why not tinker with prose or dip into a fresh genre, if only for five thousand words? And from the readers point of view it’s a good way to find new authors. You can get a taste for a dozen of them on a Sunday afternoon. The best thing about this short format is the immediate gratification. You get that great opening hook that leads right into the meat of the plot, then it’s on to the twist at the end—all in about ten pages. No time for a sagging second act. I’ve got places to be. Here are just a few of these print publications, all of which entertain the hell out of me.Continue reading Short Fiction Magazines

The Gravity Lawsuit

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Gravity—the novel—was really great. Way better than the movie adaptation as far as I’m concerned, but then I always say that so feel free to disregard. Oh, you hadn’t heard that the film was based on a book? Neither had the author, Tess Gerritsen, until an upcoming film popped up on her radar. The title was the same as the novel she wrote—no major coincidence for a one word header. Like her book, the plot concerns a disaster aboard the International Space Station which forces the crew to evacuate, told from Gravitythe perspective of a female medical research scientist. Still, these are superficial similarities. Gerritsen worked on a movie script, amending it with a scene in which the ISS is destroyed by satellite debris, which culminates in the nightmare scenario of an untethered EVA. She sold screen rights to New Line Productions where the project floundered, as far as she knew, after the company was bought out by Warner Bros. Gerritsen later learned that her failed project was to be helmed by Alfonso Cuarón, the very same director who managed the 2013 film under the Warner Bros. studio. We’re long past coincidence at this point.Continue reading The Gravity Lawsuit

Regarding Sad Puppies

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Puppies

Over the last three years, a group of activists now known as the Sad Puppies have descended on the Hugo Awards with hopes of combating what they see as a recent bias toward ideologically driven science fiction. The group campaigns for a handpicked list of nominees they hope will reverse the trend. They bandy about terms like “Social Justice Warrior” and deride topics of sexism, gay and transgender issues, racial prejudice, and more. Authors Larry Correia and Brad Torgersen have formed the Puppies’ central thesis (I don’t even feel like dealing with Vox Day’s contributions). They pine for the old days when the sci-fi was not to be encumbered by cultural commentary.

Their sentiments are completely at odds with my understanding of the genre when I think on Frankenstein, the very first science fiction novel, or any of the great authors from the Golden Age with whom I am acquainted.Continue reading Regarding Sad Puppies